Laura Mulvey Theory
Feminist film theory and audiences
Laura Mulvey
Visual pleasure and narrative
Mulvey argues that women have two roles in film:
- As an object of erotic desire for the characters.
- As an object of erotic desire for the audience.
The theory develops as a logical argument:
1. The cinema reflects on our society
2. Therefore the cinema reflects
3. How does a patriarchal society manifest itself in cinema?
The Gaze
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| The gaze |
- The 'gaze' of the cinema is the male 'gaze'.
- The male gaze is active, the female passive
- Within the narrative male characters direct their gaze towards female characters.
The spectator is made to identify with the male gaze, because the cinema films from the optical, as well as libidinal, point of view of the male character.
Thus three levels of the cinematic gaze-camera, character and spectator - that objectify the female character (triple gaze)
Cinema: audience are watching throughout the camera, the camera is focussed on James Bond (Sean Conary) Bond is looking at the Woman walking out of the water
TRIPLE GAZE
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| The audience |
 |
| Camera |
 |
| James Bond looking at the woman |
 |
| The woman walking out of the water |
Agency
- In the classical hollywood cinema the male protagonist has agency - he is active and powerful
- He is the agent around whom the dramatic action unfolds
- The female character is passive and powerless - she is the object of desire for protagonist and audience.
Rihanna - Shut up and Drive
This video supports Laura Mulveys theory of someone being seen as an object of erotic desires. In this case, it is Rihanna, a mainstream female pop singer who, in this video, is cleaning and fixing cars whilst positioning her self in erotic positions in order to captivate most male audiences.